Ting-Tong Chang, Hsuan-kang Tsai
Ting Tong Chang (b.1982, Taipei, Taiwan) is an artist who lives and works in Taipei and London. Chang is known for his collaborative projects through a variety of media including installation, video, and theater. After receiving his MFA at Goldsmiths, University of London in 2011, Chang has exhibited internationally. He held solo exhibitions at the Cube Project Space, the Museum of NTUE and Taipei Fine Arts Museum and has participated in group shows and commissioned projects in Guangzhou Triennial, Taipei Biennial, Saatchi Gallery, Compton Verney Art Gallery and Wellcome Trust. Chang's major awards include the 19th Taishin Arts Award, Taipei Art Award 2020, Hong Kong Art Central RISE Award 2016, VIA Arts Prize 2016, and Royal Society of Sculptors Bursary Award 2015. His works can be found in the Taipei Fine Arts Museum, Art Bank, Hong Foundation, Embassy of Brazil London, JM SR Collection Mexico and private collections in Europe and Asia.
The project, “SOAP”, is an online exhibition organized by the artist Ting -Tong Chang. It is his response to the current pandemic period in which events have been forced to be canceled and where exhibitions and shows can only be found on the Internet.
In this project, Ting-tong Chang uses an instance of fake news that circulated during World War I, “Kadaververwertungsanstalt” (literally, Carcass-Utilisation Factory). This was a rumor deliberately spread by the British Intelligence agencies. By way of mass media, they fabricated and circulated a story about the Germans having built a secret factory in the heart of a German forest where they dissolved corpses into soap for army use when resources were scarce. Along with illustrations, fabricated reports combined conspiracy theory and already exist prejudice towards Germany in order to facilitate a shift in British public opinion in support for the war.
Using this story as his base, Chang constructed his own fictional soap-making factory, which also serves as a center of information production, turning soap into a tangible metaphor for information.
Chang has invited actors to play various roles on the production line. Some workers mechanically examine the newly-made soaps on the conveyor belt and long worktables. Some act as victims that float in large-scale mixing tanks while others play indifferent managers that stand aside aloof, just watching the production process. Be it the factory setting itself or the performances, they both signify how information is systematically manufactured and how it is unrestrainedly circulated on various social media and forum platforms.
Moreover, with the project “Soap”, the artist is also trying to explore possible future exhibition forms, as the boundary between the virtual and the real starts to blur.
Different from many online exhibitions that duplicate physical space through digital technology, Chang has created a fictional factory that never existed before or only existed in fake news on the Internet so to speak. He videotaped every action that took place, and then completely dismantled the real-life factory installation. Subsequently, the information production center was encoded and constructed by a software engineer and then transformed into an on-site artwork that only exists in the digital world.
This project benefits from the fluidity and fragmentation of the digital network, and its non-linear logic. It invites the audience to operate this interactive website and explore this reproduced soap/information factory. As the viewers freely travel between time and space, re-assembling the narrative, they also construct their own pathways of viewing. This way, the exploration of the relationship between the virtual and reality is made possible.
project link: www.thesoapfactory.com.tw
about the film
first time filmmaker
Experimental, Web / New Media
17 minutes 1 second
September 1, 2021